SWAIN HOOGERVORST, Flowers at the Old Age Home I
Oil on canvas, 59 x 46 cm
‘My paintings draw their inspiration from a photographic starting point. My intention though is not to recreate a photograph, but rather to allude to what is referenced. My work deals a lot with memory and the recollection of time and events or encounters passed. I try to paint in a way that evokes the unreliability of memory but also the dream-like feeling we give it, especially if that memory is positive. Hence I paint in a way that is vague or potentially non-descriptive but which leaves visual cues as to what may or may not be there.’
- Swain Hoogervorst, 2024
SWAIN HOOGERVORST, Flowers at the Old Age Home III
Oil on canvas, 120 x 100 cm
‘My paintings draw their inspiration from a photographic starting point. My intention though is not to recreate a photograph, but rather to allude to what is referenced. My work deals a lot with memory and the recollection of time and events or encounters passed. I try to paint in a way that evokes the unreliability of memory but also the dream-like feeling we give it, especially if that memory is positive. Hence I paint in a way that is vague or potentially non-descriptive but which leaves visual cues as to what may or may not be there.’
- Swain Hoogervorst, 2024
SWAIN HOOGERVORST, Flowers at the Old Age Home IV
Oil on canvas, 80 x 60 cm
‘My paintings draw their inspiration from a photographic starting point. My intention though is not to recreate a photograph, but rather to allude to what is referenced. My work deals a lot with memory and the recollection of time and events or encounters passed. I try to paint in a way that evokes the unreliability of memory but also the dream-like feeling we give it, especially if that memory is positive. Hence I paint in a way that is vague or potentially non-descriptive but which leaves visual cues as to what may or may not be there.’
- Swain Hoogervorst, 2024
SWAIN HOOGERVORST, Flowers in the Window III
Oil on canvas, 80 x 60 cm
‘My paintings draw their inspiration from a photographic starting point. My intention though is not to recreate a photograph, but rather to allude to what is referenced. My work deals a lot with memory and the recollection of time and events or encounters passed. I try to paint in a way that evokes the unreliability of memory but also the dream-like feeling we give it, especially if that memory is positive. Hence I paint in a way that is vague or potentially non-descriptive but which leaves visual cues as to what may or may not be there.’
- Swain Hoogervorst, 2024
Specialists in contemporary art from South Africa. Established in 1913. South African artists are part of the global conversation. We seek to make their voices heard.