BEEZY BAILEY, Bats on the High Street
Oil on canvas, 61 x 45.5 cm
"Looking back over Beezy Bailey's restlessly inventive career, we soon become fascinated by its defiant unpredictability. At every turn his work is filled with surprises, and united above all by a fundamental urge to challenge the status quo," says Richard Cork, art historian, editor, critic and exhibition curator.
BEEZY BAILEY, International Birds of Paradise
Oil on canvas, 80 x 60 cm
"Looking back over Beezy Bailey's restlessly inventive career, we soon become fascinated by its defiant unpredictability. At every turn his work is filled with surprises, and united above all by a fundamental urge to challenge the status quo," says Richard Cork, art historian, editor, critic and exhibition curator.
RICKY DYALOYI, Where dreams take root, hope begins to grow II
Oil on canvas, 100 x 140 cm
Dyaloyi’s imagery and thematics evolved concurrently with South Africa’s first democratic elections – a momentous period in South Africa’s history when there was an influx of discourse and exchange between all South African artists in the country. Dyaloyi’s style of painting reflects ordinary citizens going about their daily lives, rendered in heightened colours to reveal the effervescent quality of the community and people with whom he lives. With an uncanny determination, Dyaloyi aims to unravel the simple mysteries of the human condition through his medium of choice: oil paint.
JEANNE HOFFMAN, Sheltered, with Touches for Defiance II
acrylic on italian cotton, 100 x 80 cm
Much of Jop Kunneke’s work reflects his interest in the interconnectedness of humans and their fellow creatures. Immaculately crafted, his bronzes are often playful, and in this exhibition, he presents Howler, one of his signature hounds, resting on its hind quarters, head thrown back and howling at the heavens.
Contact: info@everardlondon.com
MARY SIBANDE, Leisurely Reading: Sophie with her newspaper
woodcut and linocut, 115.2 x 87.5 cm
MARY SIBANDE, Leisurely Sailing: Sophie with her binoculars
woodcut and monotype, 76.7 x 105 cm
ANGUS TAYLOR, She as the poet, and the poet as the witness (bust) 9/12
bronze, tiger’s eye, African carnelian granite, and blue tiger’s Eye, 57 x 28 x 40 cm
ANGUS TAYLOR, She as the poet, and the poet as the witness (bust) ed. of 12
bronze, red jasper, brecciated jasper, and African carnelian granite, 57 x 28 x 40 cm
Specialists in contemporary art from South Africa. Established in 1913. South African artists are part of the global conversation. We seek to make their voices heard.